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Berlin iron jewelry refers to articles of jewelry cast that were made during the early 19th century Germany.
History
The roots of Berlin Iron Jewelry can be traced to the creation of? nigliche K Eisengiesserei bei Berlin or Berlin Royal Foundry in 1804. The Royal Foundry Berlin began with the production of iron goods such as vases, knife stands, candlesticks, bowls, plates and medals, and several commercial items such as fences, bridges and garden furniture. The jewelry items first, as long chains with cast links, were produced in 1806. Later, necklaces made of medallions and joined with links and mesh Wirework were manufactured.
Production of iron jewelry peaked between 1813 and 1815, when the Prussian royal family has urged all citizens to bring their gold jewelry and silver to finance the insurrection against Napoleon during the War of Liberation. In return, people were given iron jewelry such as brooches and rings, often with the inclusion Gold gab ich f Eisen (I gave gold for iron), or Far from Wahl das Vaterland (For the welfare of our country / homeland), or a portrait of Frederick William III of Prussia on the back. Until then, iron jewelry had been worn as a sign of mourning (because its black) and was worth too little to be seductive, but suddenly he became a symbol of patriotism and loyalty and with its obvious aesthetic value, became popular during the night.
The number of pieces began to decline after 1950, but remained in production until the end of the century, when fashion has ended. It is not widely known, but in 1916 another similar attempt was made in Germany to promote the iron and jewelry to finance the share of Germany in the First World War. This was done through the exchange of gold jewelry for iron medallion inscribed with the words: Gold gab ich zur Wehr, Eisen nahm ich zur Ehr (I gave gold against our defense effort and I take iron for the honor). This attempt, however, has not been as successful. Berlin Today Iron jewels are collector coins and coins true usually found in museums or private collections. Of replicas are widely manufactured today and is readily available especially on the Internet.
Styles
Initially, the style of designs, especially during the Napoleonic era, is neoclassical, incorporating many replicas Fretwork and molded cameos.
From 1810 style slightly modified to form a miniature neo-Gothic style, incorporating the arch and Rose widow of the Gothic cathedral combined less austere, more naturalistic motifs such as butterflies, clovers (a plant with three leaflets, as clover) and vine leaves.
The jewelry a very fine and detailed and the appearance of lace, but despite his sometimes na? Details Fri, seems always appear dark and gloomy. Maybe because most of the Berlin Iron jewelry are painted black to prevent iron from rusting and to enhance its end, as morbid mourning jewelry. Only a few examples were decorated with fine gold, silver settings or polished steel. Some have also been set with medallions, imitating Greek classical scenes on some of the work done by Jasper the famous potter, Josiah Wedgwood (1730-1795), or the portrait medallions made by contemporary James Tassie (1735-1799).
Manufacturing
For details of such complex and thin-sectioned castings to be produced were made with Berlin Iron Jewelery, a very pure iron containing up to 0.7% of phosphorus was used. This has been done to make the iron a little more fluid than that would normally melt. Although this type of iron phosphate is rather hard and brittle, the force is not the main purpose of the metal when it is used in jewelry. The molten iron was poured into cold metal molds.
References
^ Abcdefgh href = "http://www.fetter-and-three.co.za" target = "_blank"> www.fetes-and-three.co.za, Fetter-and-three Jewelry Information Pages – Berlin Iron Jewelry.
Categories: Jewelry
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