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Most Thangkas are painted on a canvas. Some are painted on paper or leather. Others are embroidered, applique, patchwork fabrics and thangkas, but other forms theSketching are not discussed here. Technically taking title = "thangka painting"> painted thangka is divided into four stages.
Preparation of Foundation:
The kind of thangka examined Here, the painting that you buy is made of a fabric material: cotton, linen and sometimes of silk. A finely woven structure, consisting of one piece fabric is best because of paint chips off easily tissues thicker tougher when the thangka is wound. The canvas is painted rectangular higher than broad, far preferably on average 30inches tall by 20 inches wide (75 by 50centimeters). The same 3:2 ratio f height to width can also be found in other sizes: 12 by 8 inches (30by 20cm), 48 by 32 inches (120 by 80 cm), 120 by 80 inches (300 by 200 cm) for large specimens exceptional. These proportions generally apply also to the huge thangka – up to 180 by 130 feet (55 by 40 meters) that are suspended near the lining of the monasteries during festivals. There are also elongated thangkas that are wider than high, with size ratio of 2:3. The edges of the cloth are folded over twice, rather than hemmed to prevent them from falling apart. Then the canvas is secured with a wire Four slats are securely fastened with twine to a wooden frame, strung tightly, so it looks like a front trampoline.The standing and back of the fabric are stamped with a design ANIMA; glue composed of boiled bones and skin, often a water buffalo. After This layer has been applied, it is polished with a smooth stone or shell. This produces a smooth, even layer on rough or uneven canvas that will work well for drawing and painting to keep paint from seeping into the groundwater.
Sketching
For orientation, the painter is often incumbent first down a grid of coordinates in the form of eight lines, two diagonal lines with a horizontal and a vertical axis passing through their intersection, and four lines drawn parallel to the frame. Sometimes the artist will do so on the back and the lines show through when the canvas is held up to the light the next step is a charcoal drawing. When the artist is satisfied with the result, the lines are accented with ink.There are separate drawings, models, available for most figures to be painted. They can be transferred to the canvas through holes bitten through them along the contours and lines and the most important components. Powder is blown through these holes, resulting in a dotted outline on the canvas. Another technique for transferring data using woodcuts. The wood or metal blocks are painted in black figures in color in a later stage.
Painting
When the drawing is finished, is time to step staining. Large areas of color field are often applied by brush or writing numbers or syllables in the area. Black, for now, is shown with the number two or the syllable Na, yellow with five or SA. When applying color, a sequence particular is widely followed. First, the most remote areas in mind, the sky is colored. Then, the landscape is more, followed by trees, rocks and water. After that come the gods and other figures. The throne, clothing, and Nimbus are painted first. Light colors are applied before dark colors, and details of gold are added.
Framing
Once the finished picture, the canvas is detached from the shafts and is framed with textile edge. The silk or brocade trim width is established, so that the sea depth compensator is half the length of the painting, the top quarter, and the sides are of eighth length. However, the thangka is not framed splayings completely rectangular but slightly towards the bottom, and metal caps are usually slipped over the ends. If a thangka is not used, but not rolled either, thin it with soot and smoke of lamps, and to avoid the image being visually bye affected eyes uninitiated. Often, the curtain will be of yellow silk, with red dots or blue, or sometimes it was a movement of flowers on it. During the curtain down two strips of red silk hanging at the very bottom. On top of these two bands hangs a cord with reading light which the veil can be attached. At the top there is a rope which can thangka be suspended or it can be linked together when it is wound.
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Article Source: ArticlesBase.com – Making of thangka paintings
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